- Publisher: Tor Books; 1st edition (March 1, 2004)
- ISBN: 0765307596
- Rating: 2 out of 5
- Amazon Link: here
The VerdictI read
Down and Out and liked it, it was a fresh breath in a sometimes stale genre. I am currently reading
Somebody comes to town, somebody leaves town and having a great time. But this is a little essay around a core idea that regulars of Boing Boing are already intimately familiar with and it offers not much else. I mean, it's a good point and train of thought, but why the wooden characters and thin plotlines? I don't know, it didn't work for me. Maybe I expected too much? Still, there is clever stuff in here so it wasn't a total loss.
ps. In what remains an incredibly cool move
almost all Cory's stories are also available for (free) download in a variety of formats. It has worked well for him, and makes for an interesting contrast with old-schoolers like Harlan Ellison
whose response to 'piracy' (Arrrr!) has not earned him my respect. Since that was a rather old link (2001 article) I wondered if Harlan's point of view has changed since then;
this subsection of his homepage convinces me it has not. Dinosaur, Tarpit, I've seen this before somewhere. Blub, blub, baby.
From Publisher's WeeklyJohn W. Campbell Award-winner Doctorow lives up to the promise of his first novel, Down and Out in the Magic Kingdom (2003), with this near-future, far-out blast against human duplicity and smothering bureaucracy. Even though it takes a while for the reader to grasp post-cyberpunk Art Berry's dizzying leaps between his "now," a scathing 2012 urban nuthouse, and his "then," the slightly earlier events that got him incarcerated there, this short novel's occasionally bitter, sometimes hilarious and always whackily appealing protagonist consistently skewers those evils of modern culture he holds most pernicious. A born-to-argue misfit like all kids who live online, Art has found peers in cyber space who share his unpopular views-specifically his preference for living on Eastern Standard Time no matter where he happens to live and work. In this unsettling world, e-mails filled with arcane in-jokes bind competitive "tribes" that choose to function in one arbitrary time or another. Swinging from intense highs (his innovative marketing scheme promises to impress his tribe and make him rich) to maudlin lows (isolation in a scarily credible loony bin), Art gradually learns that his girl, Linda, and his friend Fede are up to no good. In the first chapter, Doctorow's authorial voice calls this book a work of propaganda, a morality play about the fearful choice everybody makes sooner or later between smarts and happiness. He may be more right than we'd like to think.